Portret van Abraham Christoph Platz 1729

Editor: Here we have Martin Bernigeroth’s “Portret van Abraham Christoph Platz,” created in 1729. It’s a Baroque-style print. It's interesting how much detail Bernigeroth manages to get with engraving. What strikes me most is the contrast between the very ornate wig and the subject's somewhat…unexpressive face. What do you see in this piece? Curator: Immediately apparent is the composition, dictated by Baroque principles. Consider the assertive diagonals of the draped fabric mirroring those of the arm. Note also how the figure nearly overflows the picture frame, an effect heightened by the chiaroscuro achieved by engraving. Observe the almost textural rendering of the wig; does its shape not echo the formal language of the fluted column behind it? Editor: That's a great observation about the wig and column mirroring each other! The composition does create a very dramatic effect. The diagonal lines really draw your eye across the print. Curator: Indeed. The lines perform an almost diagrammatic expression of status. Consider also the flatness of the engraving, creating a planar hierarchy – the subject placed before symbolic architectural elements and textual pronouncements below. Does that change your view of his expression? Editor: That makes me reconsider my first reaction to his face. Now I see his almost neutral expression as fitting into the overall design to suggest the control and restraint expected of someone in his position. Curator: Precisely! This exemplifies how line and form contribute meaning and create an effect of almost total domination. Editor: I learned so much about Baroque formal language! I definitely notice the carefully constructed lines that project status in this artwork. Curator: And I, in turn, am reminded of the importance of continual reassessment – of constantly questioning initial impressions through close formal readings.