Portret van Frederik Willem I 1762 - 1833

Editor: Here we have "Portret van Frederik Willem I" or "Portrait of Frederick William I," a print made sometime between 1762 and 1833 by Meno Haas. The details are incredible given the medium! I am especially curious about the process of creating this print, and what was considered of value during that time period. What do you make of this piece? Curator: Looking at this engraving, I’m struck by the process and materials used. Consider the labor involved in producing these prints – the skilled hand needed to carve the image into a metal plate, the repetitive work of inking and pressing to create multiple copies. This wasn't just about depicting Frederick William; it was about disseminating his image, manufacturing his persona for a wider audience. Who had access to it, who bought it and what they use it for is a vital information to understand how powerful print industry became at the time. Editor: That makes sense! So, the act of creating the print itself is a statement about power and accessibility? Curator: Exactly. The choice of engraving also points to a certain value placed on precision and permanence. This wasn't a fleeting image; it was meant to endure, to project an image of strength and authority for the Prussian monarchy that had to be spread around the empire and the continent. Also, have a look at the ornamental texture on top. I bet those were prefabricated modules that enabled further cutting down the labor needed and helped ensure consistency across many copies. What kind of social dynamics this image created? Editor: Interesting perspective! So, by looking at the materials and method, we can understand a lot more about the image's cultural context. I had not thought of it in this way before. Curator: Indeed, this changes how one values art beyond what is represented in the portrait, don’t you agree?