August H. "Gus" Krock, Pitcher, Chicago, from the Old Judge series (N172) for Old Judge Cigarettes by Goodwin & Company

August H. "Gus" Krock, Pitcher, Chicago, from the Old Judge series (N172) for Old Judge Cigarettes 1888

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drawing, print, photography

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portrait

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drawing

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print

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baseball

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photography

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men

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athlete

Dimensions: sheet: 2 11/16 x 1 3/8 in. (6.9 x 3.5 cm)

Copyright: Public Domain

Editor: We're looking at an 1888 baseball card, “August H. ‘Gus’ Krock, Pitcher, Chicago,” from the Old Judge Cigarettes series, a photograph produced by Goodwin & Company. The print’s got a kind of sepia tone that makes me feel like I'm stepping back in time, and it strikes me that baseball's been commercialized for a while. What do you see when you look at this card? Curator: Well, immediately I think about the rise of celebrity culture and mass media. These baseball cards weren't just about baseball; they were advertisements inserted into cigarette packs. Consider how this circulated images of athletes, embedding them within the everyday lives – and habits – of the public. The “Old Judge” brand wasn’t selling athleticism alone. They were selling an association, a lifestyle. What does that tell us about the intended audience? Editor: It tells me they were targeting the masses and linking consumerism to America’s favorite pastime. Was there an artistry to these early cards, or was it strictly business? Curator: It's both! The pose, the composition…there was a deliberate construction of the athlete’s image. Also, baseball itself held immense cultural significance as the nation healed after the Civil War, it provided a unifying spectacle, these cards served as potent visual representations. What effect did the rise in mass image production have on this period of nationalism? Editor: The wide distribution likely cemented a shared visual language and ideals related to national identity through idealized figures, so commercial objects functioned like social glue? Curator: Exactly! This small card becomes a powerful object when viewed in the context of marketing, nationalism, and the public consumption of images. It shows how businesses worked to both create and capitalize on existing sentiments. Editor: I had never considered all that existed in what I previously viewed as just a picture of a baseball player! Curator: Right? Context truly transforms our perception and illuminates deeper cultural and historical forces.

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