Gezicht op de Certosa di Pavia met de wijngaard before 1882

This photograph, by Alfredo Noack, captures the Certosa di Pavia through a structured lens. Immediately, the strong linear perspective draws your eye, not to the monastery itself, but through a corridor-like vineyard. The composition is striking: the rigid, geometric framework of the vines contrasts with the softer, organic shapes of the landscape and architecture. This juxtaposition isn’t merely aesthetic; it imposes a sense of order onto the scene. Consider how Noack uses this framework. It's as though the vines are a filter, framing our view, dictating how we perceive space and depth. This technique aligns with early photographic practices, where the act of framing was a way of understanding and controlling the visual field. The photograph becomes less about capturing reality and more about constructing a particular view of it.