Card 814, Louise Paullin, from the Actors and Actresses series (N45, Type 2) for Virginia Brights Cigarettes by Allen & Ginter

Card 814, Louise Paullin, from the Actors and Actresses series (N45, Type 2) for Virginia Brights Cigarettes 1885 - 1891

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drawing, print

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portrait

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pencil drawn

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drawing

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toned paper

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print

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pencil sketch

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charcoal drawing

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charcoal art

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portrait reference

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pencil drawing

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men

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portrait drawing

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watercolour illustration

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watercolor

Dimensions Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm)

Editor: This is "Card 814, Louise Paullin, from the Actors and Actresses series (N45, Type 2) for Virginia Brights Cigarettes" made between 1885 and 1891. I see that it’s a print that resembles a pencil or charcoal drawing on toned paper. It feels very formal and staged to me, almost like a theatrical tableau. What stands out to you when you look at it? Curator: The image is pregnant with signs that speak of both celebrity culture and mass production. We see this portrait of Louise Paullin, presented not just as herself but as a carefully constructed character. Note the ornate headpiece and costume – these are symbols, markers of status and role-playing that were meant to be immediately recognizable to the consumer. But ask yourself, is it truly about art, or is it a symbol co-opted for the promise of a lifestyle through consumption? Editor: That's an interesting perspective. It does make you think about the use of imagery for selling products and ideas. Do you think the symbolic power is diminished because it's an advertisement? Curator: Not necessarily diminished, but certainly re-contextualized. The cultural memory associated with the iconography of "the actress," of stardom itself, becomes linked to the act of smoking Virginia Brights. It’s a powerful form of association, and it demonstrates the subtle ways consumer culture can influence and re-shape our understanding of historical archetypes. It also reminds us that what seems timeless is often a product of its time. Editor: It’s almost like celebrity endorsements haven’t changed that much. It really makes me think about how we give images and symbols their meaning. Curator: Precisely. And how those meanings can be molded, directed, and commodified. This seemingly simple card holds within it a complex story of culture and commerce.

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