[title not known] 

Curator: This intriguing interior scene is by Elizabeth Rigby. Though the date and title are unknown, it resides in the Tate collections. Editor: It has such a still quality. It's like stepping into a quiet moment, the light falling in stripes across the floor. Makes me want to pause. Curator: Absolutely. The dog there in the corner seems to feel the same. The window bars cast prison-like shadows, yet there's a serene sense of domesticity. The woman is working at her embroidery. Editor: The embroidery, yes – a very feminine pursuit – but it almost feels subversive somehow. Is she stitching her escape? The locked door certainly adds to that feeling. Curator: The symbols are so interesting. The dog, a traditional symbol of loyalty, seems more imprisoned than loved. And the woman’s back is to the door, is she ignoring the opportunity for freedom, or perhaps she doesn’t even notice it? Editor: Maybe she’s content to be bound by love and duty. In any case, the subtle symbolism opens up so many possibilities. Curator: Indeed, it’s a small watercolor filled with a universe of emotions. Editor: You're right, there is a lot to think about.