Allegory of Magnanimity c. 1670

Curator: Oh, my, the lion looks incredibly relaxed given the circumstances. Is he being…crowned with flowers? Editor: Precisely! This is Luca Giordano’s "Allegory of Magnanimity," painted around 1670. Oil on canvas. Look at that regal figure at the painting's heart—she is the personification of Magnanimity, or generosity of spirit. Curator: So the cherubs above her offer a jeweled crown, as more put flowers on the lion at her feet. There's a strange combination of gravity and sweetness to it, wouldn’t you say? All those plump babies and that calm but definitely captive lion! Editor: Absolutely! And in Giordano's time, representing virtues like this wasn't just about pretty pictures; it was about instructing viewers on ideal behaviour, solidifying social order. Curator: Right. These paintings functioned almost as propaganda for moral rectitude. It’s fascinating to consider who the intended audience might have been. An elite circle, definitely familiar with classical allegories, seeing itself reflected—or perhaps admonished—by these figures. The queen's face, in particular, gives little away! Editor: Note also how he stages the drama with a theatrical flourish—classic Baroque! The rich colour palette, the dynamic composition…Giordano certainly wanted to impress. Though the work is thought to be Italian, the colours remind me of Spanish court painting—velvety black juxtaposed with the warmth of the golden mantle! Curator: And consider the symbolism—the lion, traditionally standing for strength and courage, subdued by magnanimity! The children are doing this crowning. This could signify a transformation, an evolving concept of how to handle power and its manifestations. Editor: It is curious to think how art operates—what is valued shifts, and with that comes revision. But, like Giordano's, the goal remains for me to convey and affect an audience. Even if magnanimity these days manifests more as social justice than putting flower crowns on beasts. Curator: It's a compelling image, nonetheless! One I feel rewards spending time with. Editor: Absolutely. Each layer of symbolism invites contemplation. Magnanimity has changed, the picture will never change!