Dimensions: image: 165 x 242 mm
Copyright: © Ivor Abrahams | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is Ivor Abrahams' "Oxford Gardens IV," created in 1977. It looks like a print. The overgrown greenery has a somewhat unsettling, almost post-apocalyptic vibe. What can you tell me about it? Curator: It's fascinating how Abrahams uses the motif of the garden. Historically, gardens represent cultivated nature, a display of power and control. Does this image subvert that tradition for you? Editor: Yes, I see what you mean. The way nature reclaims the architecture suggests a critique of those power structures. What was the public perception of such themes in the 70s? Curator: The 1970s saw growing environmental awareness and skepticism toward institutions. Abrahams' work reflects that shift, questioning what we value and who gets to shape the landscape, literally and figuratively. Editor: That gives me a lot to think about. I hadn’t considered how directly art could reflect changing social attitudes. Curator: Indeed, it's about understanding the social forces at play and how artists engage with them.