Jægeren 1841

Editor: So, here we have "Jægeren," or "The Hunter," an engraving done in 1841 by L.A. Smith. It has a very classical feel to it, like something straight out of antiquity. What strikes you about this work? Curator: What strikes me is how remarkably still it feels. Almost like we’re not observing a hunter, flushed from the thrill of the chase, but a statue depicting one. Notice how neatly the drapery falls, almost echoing the placid obedience of the dog. Makes you wonder, doesn’t it, if Smith isn't inviting us to reflect on an ideal of the hunt, rather than the thing itself? Editor: An ideal, you say? Curator: Yes. The light, that cool, almost passionless observation of form...it steers clear of romantic drama. There’s an intense quiet here. Don’t you get the sense he’s trying to elevate hunting to something almost…noble? Editor: I see what you mean. It is very formal and posed, like a classical sculpture as you mentioned. Not quite what I'd expect from something labelled 'realism,' though! Curator: Realism had many faces, my dear. And it’s in these contradictions that art truly sings. Do you feel differently about it now? Editor: Definitely. I hadn’t thought of the stillness as a choice, more of just how things were done then, but thinking of it as deliberate… well, that opens up a whole new avenue. Thanks! Curator: The pleasure's all mine. Isn’t it fascinating how much a little perspective can change everything?