Portret van Georg Ott von Schaffhausen by Johann Heinrich Lips

Portret van Georg Ott von Schaffhausen 1768 - 1817

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print, engraving

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portrait

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neoclacissism

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print

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engraving

Dimensions height 164 mm, width 105 mm

Curator: This is a portrait of Georg Ott von Schaffhausen, made by Johann Heinrich Lips between 1768 and 1817. It's an engraving. My first impression is of the directness of his gaze. There's a simple honesty there. Editor: It’s certainly a product of its time; Neoclassicism favored straightforward representation. What really strikes me, though, is the labor involved in creating this print. Think of the careful etching needed to achieve those subtle gradations of tone! And consider the paper, probably handmade, the result of considerable processing. Curator: I see the social value affirmed by his position too, look how his name is proudly displayed underneath the portrait: Georg Ott von Schaffhausen. And he's wearing what looks to me like a naval uniform? Indicating military service? Editor: Likely, the naval uniform in itself acts as a symbol – not just of his personal achievements but also his ties to the structure of state, projecting authority and national identity. It’s all part of a larger symbolic language. The circular frame around the portrait also is significant: this 'oel de boeuf' as it is known symbolizes nobility, so every feature carries an important symbolism. Curator: Right, and the act of creating a print makes this portrait accessible to a wider audience than, say, a painted portrait would. Copies could be circulated, extending his presence in society. I imagine that level of social access also shaped production of printed materials such as the present work. Editor: Absolutely. And notice the blank space around the central image. The print exists as an object meant for circulation and, therefore, consumption. Each choice about paper, ink, and technique signifies a certain intention or aim. Curator: Considering its symbolic language, it’s a strong reflection of Neoclassical values—reason, order, civic duty—embodied in Georg Ott himself. Editor: It's more than just a likeness; it's an emblem. It's intriguing how this work, beyond its apparent directness, continues to weave cultural threads for us today. Curator: A glimpse into history via careful craft, both materially and visually defined.

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