Iron Grille at Window by Harry Mann Waddell

Iron Grille at Window 1935 - 1942

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drawing, watercolor, pencil

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drawing

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landscape

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watercolor

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geometric

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pencil

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watercolor

Dimensions: overall: 35.4 x 24.2 cm (13 15/16 x 9 1/2 in.) Original IAD Object: 49" high; 50" wide

Copyright: National Gallery of Art: CC0 1.0

Editor: This intriguing artwork, "Iron Grille at Window," was created between 1935 and 1942 by Harry Mann Waddell, using pencil and watercolor. I’m struck by the almost oppressive feeling despite its landscape style. What can you tell us about the context surrounding this piece? Curator: The seemingly simple depiction of a window grille becomes quite compelling when viewed through a historical lens. The period, 1935-1942, places it squarely in the era of the Great Depression and the lead up to World War II. These events created social anxiety. Think about the symbolic weight of a barrier, the idea of being both protected and confined. Does that resonate with the image? Editor: Absolutely. It brings to mind themes of security and restriction, relevant considering the socio-political tensions of that time. Was Waddell commenting on something specific? Curator: It’s difficult to say definitively without more information on the artist's intent. However, we can analyze the artwork's public role. During times of upheaval, art often grapples with fundamental questions about freedom, safety, and power. Iron, especially in a grille, communicates strength, control, and maybe even a hint of paranoia. It controlled vision of outside or restricted someone from leaving. How do you perceive the geometric construction? Editor: I hadn't considered the implied power dynamic. The coldness of the metal makes the architectural setting all the more stark. But also the geometric aspects – were there other art movements from this time that explored geometric patterns, or repeated use of forms? Curator: Yes, the geometricity links it to wider trends while the use of a common object directs us to contemporary discussions. Think of the documentary photography coming to prominence at that time which depicted the impact of historical trends on normal people and everyday life. Ultimately, Waddell gives the viewer space for contemplating these factors of society. Editor: This conversation has completely transformed how I see this "Iron Grille at Window.” It's not just a landscape sketch, but a subtle reflection on societal anxieties and power structures. Curator: Indeed, exploring the social and political context unveils layers of meaning within seemingly ordinary subjects. It really invites the viewer to think, what are they actually looking at?

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