Pair of gloves with pointed cuffs by M. Laimböck

Pair of gloves with pointed cuffs c. 1922 - 1930

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photography

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portrait

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fashion design

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fashion mockup

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fashion and textile design

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fashion based

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photography

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teen youth wear

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wearable design

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fabric design

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clothing photo

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fashion sketch

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clothing design

Dimensions: length 34 cm, width 14 cm

Copyright: Rijks Museum: Open Domain

Curator: These are "Pair of gloves with pointed cuffs" dating circa 1922 to 1930. Editor: They've got a ghostly, antique feel. Starkly displayed like that, they also look oddly divorced from the human form. Curator: Indeed. Consider what gloves represent historically. Across cultures, gloves signify status, power, and ceremony. Think of duels or coronations where gloved hands played critical roles. Editor: The materials are what strike me first: the tight stitching and the aged leather that molds a hand long gone. This would’ve taken some time and skill to craft. It would be good to know what kind of animal produced the leather, and who manufactured these gloves and under what labor conditions. Curator: We might consider these as signifiers of gendered elegance during the interwar period. They certainly speak of sophistication and the aesthetic ideals prevalent at the time. The sharp points and elaborate seams—what emotional echoes do they carry of those times? Editor: Good point. Gloves protected delicate hands. And you could even argue the detailing transforms the function of basic material protection, to a sophisticated material symbol. You’ve got parallel stitchwork across what fans out from the hand toward the elbow. Was that to indicate wealth, status or some element of craft expression on the part of the glove-maker? Curator: They evoke the social mores of the period—a time when gloves completed an ensemble. But also, this points toward an encoded world of courtship and social hierarchy—dare I say perhaps constraints placed upon women's movement at that time. Editor: These aren’t just utilitarian hand coverings. This pair reveals much about the means and intention behind design and labor—and that includes gender dynamics too, definitely! Curator: Absolutely. Considering this pair, a small accessory speaks volumes about complex eras. Editor: Indeed! Thinking materially brings new dimensions to appreciate history!

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