Saint Calixtus c. 17th century

Curator: Here we have Jacques Callot's "Saint Calixtus," a small but potent engraving, currently residing at the Harvard Art Museums. Editor: It's striking! The inverted figure immediately grabs your attention. The composition is so dynamic, even within that small oval frame. Curator: Callot, born in the late 16th century, was a master of etching. This piece captures the martyrdom of Saint Calixtus, who was, according to legend, thrown down a well. Editor: The well itself becomes a symbol here, doesn't it? A dark void, swallowing not just a man, but an idea, a faith, at least in the eyes of those who condemned him. It also resonates with the iconography of baptism and rebirth. Curator: Yes, the image becomes part of the ongoing story of the early Church, a visual reminder of sacrifice. The figures in the background seem to observe this pivotal moment. Editor: It's a stark reminder of the very public nature of faith and persecution. Callot frames it so personally, with a dramatic composition to serve a political purpose. Curator: Indeed, these images served as critical tools in shaping public perception. Editor: Looking at this today, it speaks to the power of symbols and the stories we continue to tell through them.