Schaften op "de Zoom", boerengezin tijdens de schaft op het land by Gerard(us) Aalbersberg

Schaften op "de Zoom", boerengezin tijdens de schaft op het land c. 1897

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plein-air, photography, gelatin-silver-print

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portrait

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dutch-golden-age

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plein-air

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landscape

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photography

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photojournalism

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gelatin-silver-print

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genre-painting

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realism

Dimensions height 115 mm, width 162 mm

Editor: This gelatin-silver print, "Schaften op 'de Zoom'," by Gerardus Aalbersberg, captures a Dutch farming family during their lunch break around 1897. It's stark, and feels quite unposed and naturalistic, like a candid moment frozen in time. What strikes you most about the composition? Curator: The photograph's power resides in its austere organization. Note the stark contrast between the dark figures and the lighter landscape. The figures are carefully arranged in the foreground. How does this juxtaposition create tension, wouldn't you agree? Editor: I can see that; it emphasizes their isolation, maybe even their hardship? How does that relate to the surrounding environment, then? Curator: Precisely. The stark horizontality of the ploughed field further underscores this. The texture and tones create an austere background against the family’s intimate moment. Aalbersberg skillfully utilizes the monochromatic palette to emphasize tonal contrasts, thereby guiding our focus and heightening the image's impact. What would you say is the picture's focus or center? Editor: It seems to focus attention on the arrangement and disposition of family. So, do you think the photographer was conscious of applying, say, notions of Realism in selecting and representing this image, or could it be just a simple photograph of that moment? Curator: While appearing unpretentious, its rigorous composition, tonal sophistication, and subject matter suggest a calculated construction aligned with artistic currents such as Realism and possibly elements of Dutch Golden Age painting—reimagined through the lens of photographic medium. What were your initial reactions? Editor: That is true, it didn’t strike me at first! Considering his emphasis on geometrical figures, his intention on textures and composition, the photograph could be trying to emphasize Realism and elements from Dutch Golden Age; both of us are leaving this conversation with completely different thoughts and observations! Curator: Indeed, it’s an excellent demonstration of how formalism enriches our interpretations. Focusing on pure geometry can uncover subtleties.

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