Apoll with a genius 

Curator: Let's turn our attention now to a work by Bertel Thorvaldsen, entitled "Apoll with a genius," executed in ink. Editor: It’s a study, I presume, for a larger work? The linework feels immediate, like the artist is working out a composition quickly. The ink's application is wonderfully revealing of its creative process. Curator: It may be, as many neoclassical artists routinely did such preparatory works. Thorvaldsen was a master of Neoclassical sculpture and his influence permeated artistic and intellectual circles, shaping public taste and reinforcing cultural ideals across Europe. We see a rendering of Apollo, god of music, sitting next to what can be understood as a winged spirit or a 'genius'. Editor: I’m immediately drawn to the round shape— almost a cameo or seal impression. The raw edges around the circular delineation adds to the appeal for me as does the somewhat coarse drawing method for what we often think of as perfectly-rendered neoclassical forms. And the genius is delightful! He is pointing to a lyre which gives a clear indication as to the nature of Apollo. Is there something being burned in front of the god and genius figures? Curator: Very good observation. I agree it may well have been for application in the form of small prints or other ephemera intended to circulate Greek or Roman motifs as decoration or for other propaganda. As to the specifics of Thorvaldsen’s output of images in this form and his use of mass media, I would argue... Editor: The interplay of art and power is so interesting to consider, especially here, with Apollo—a symbol of order and reason— rendered in such a loose and gestural manner. One can almost hear the quill scratching on the page! Curator: Yes. I think that juxtaposition serves the artist as his social commentary of his time in its attempt to spread classical values. To wrap up, “Apoll with a genius" is, for me, more than a drawing; it’s a record of artistic labour that can also provide insight into the socio-cultural environment. Editor: Absolutely, it's interesting to consider that such studies could have contributed significantly in a different context and era to, say, a tattoo craze, or to album covers. Very illuminating, thank you.