About this artwork
Charles Marville captured this somber image of Rue Estienne, de la rue Boucher with his camera, a tool then heralding a new era of documentation. The narrow street, a canyon of human construction, is laden with the symbolism of urban life. Notice the buildings: they loom as silent witnesses, their arches reminiscent of Roman aqueducts. These arches are a vestige of structures designed to bring life into burgeoning cities, but here, they seem to frame an absence, a void. Consider the cart in the center, an isolated vehicle. The cart echoes the chariots of antiquity, now reduced to a mundane carrier amidst a city's transformation. There is a powerful psychological undercurrent here, a palpable sense of loss and transition, as Marville documented Paris before its radical reconstruction. The "before" is preserved in the collective memory.
Rue Estienne, de la rue Boucher
1862 - 1865
Artwork details
- Medium
- print, daguerreotype, photography
- Dimensions
- Image: 34.3 x 27.1 cm (13 1/2 x 10 11/16 in.) Mount: 23 11/16 × 16 5/16 in. (60.2 × 41.4 cm)
- Location
- Metropolitan Museum of Art, New York, NY
- Copyright
- Public Domain
Tags
16_19th-century
landscape
daguerreotype
outdoor photograph
street-photography
photography
historical photography
cityscape
history-painting
street
realism
building
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About this artwork
Charles Marville captured this somber image of Rue Estienne, de la rue Boucher with his camera, a tool then heralding a new era of documentation. The narrow street, a canyon of human construction, is laden with the symbolism of urban life. Notice the buildings: they loom as silent witnesses, their arches reminiscent of Roman aqueducts. These arches are a vestige of structures designed to bring life into burgeoning cities, but here, they seem to frame an absence, a void. Consider the cart in the center, an isolated vehicle. The cart echoes the chariots of antiquity, now reduced to a mundane carrier amidst a city's transformation. There is a powerful psychological undercurrent here, a palpable sense of loss and transition, as Marville documented Paris before its radical reconstruction. The "before" is preserved in the collective memory.
Comments
Be the first to share your thoughts about this work.