Henry Frederick (1594-1612), prins van Wales. Oudste zoon van Jacobus I 1604 - 1647

This is a miniature portrait of Henry Frederick, Prince of Wales, painted by Peter Oliver, probably in the early 17th century. The portrait miniaturists of the Elizabethan and Jacobean courts in England weren't just artists, they were key players in constructing and broadcasting the image of power. Notice how Henry is depicted in profile, a common way to portray royalty, linking him visually to classical emperors and reaffirming his authority. The architectural backdrop, though minimal, adds to this sense of grandeur and permanence. Miniatures like this were often worn as jewelry or kept close, signifying personal allegiance and loyalty to the crown. The social conditions of the time absolutely shaped this artwork. In a period of political and religious tension, visual representations of the monarchy were carefully managed to project stability and strength. The patronage system of the court meant that artists like Oliver were directly employed to serve these ideological needs. To truly understand this piece, we need to look at letters, court documents, and other visual propaganda of the time. Only then can we fully appreciate how art was used to reinforce the social and political order.