Miss Eastlake, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes by Allen & Ginter

Miss Eastlake, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes 1885 - 1891

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drawing, print, photography

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portrait

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drawing

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photo restoration

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print

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photography

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19th century

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men

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portrait drawing

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profile

Dimensions Sheet: 2 5/8 x 1 1/2 in. (6.6 x 3.8 cm)

Editor: Here we have a print from Allen & Ginter, dating between 1885 and 1891, titled "Miss Eastlake, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes". It's a sepia-toned profile portrait, giving it a somewhat austere feeling. What's your interpretation of this work? Curator: This seemingly simple portrait offers a fascinating lens through which to examine 19th-century societal values. Consider the context: this was a cigarette card. The mass production and distribution of these cards meant images of women, particularly actresses, were entering the homes and hands of a wider public than ever before. Editor: That's a good point. So, it’s not just about the art; it's about access and dissemination? Curator: Precisely. And consider what this image might signify within that context. Miss Eastlake, presumably an actress, is presented in a rather conventional, almost demure, profile. This might have been a strategy to make her more palatable to a conservative audience. Is she being presented as a symbol of aspirational beauty while simultaneously adhering to societal norms? Editor: So, it’s like a balancing act, showing her off but still keeping her within certain boundaries? I wonder if she had any say in how she was portrayed? Curator: An important question! Whose gaze is being centered here, and who benefits from this representation? The actress herself? The tobacco company? The consumer? Exploring these power dynamics is crucial. How does this image contribute to or challenge broader narratives about women and their roles in society at the time? Editor: I hadn't thought about it in terms of power and social narratives, but I can totally see that now. It's definitely made me think about how even something seemingly simple can be really complex. Curator: Indeed! And hopefully, this discussion encourages you to continually question the images that surround you and the narratives they perpetuate.

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