Gezicht op de Yosemitewaterval in de Yosemite Valley met een gezelschap mensen ervoor by John P. Soule

Gezicht op de Yosemitewaterval in de Yosemite Valley met een gezelschap mensen ervoor before 1871

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photography

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landscape

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waterfall

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river

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photography

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mountain

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hudson-river-school

Dimensions: height 91 mm, width 81 mm

Copyright: Rijks Museum: Open Domain

Curator: This is a photograph entitled "Gezicht op de Yosemitewaterval in de Yosemite Valley met een gezelschap mensen ervoor", which translates to “View of the Yosemite Falls in the Yosemite Valley with a Group of People in Front." It was taken by John P. Soule sometime before 1871. Editor: Well, my first thought? Enormous scale. The waterfall just drops, pure gravity, and it feels utterly indifferent to the little cluster of folks planted at the bottom. The scene almost becomes a theater set. Curator: Absolutely, and I find that intentional juxtaposition fascinating. Note how the composition divides almost perfectly in thirds, emphasizing the verticality. The cool grays and whites of the falls themselves against the much warmer browns and greens create a distinct visual hierarchy with nature towering. It’s that familiar sublime moment, captured in miniature for us. Editor: Yes, you feel that almost Romantic urge to both marvel at and then, let's be honest, to conquer. What does the landscape symbolize here though? Something about progress, Western expansion, perhaps? Curator: Quite possibly, or at least an invitation to admire what that progress purports to secure. Remember this falls into the Hudson River School aesthetic a little. And if you study photography of the American West from this era, especially landscape imagery, that dynamic of grand vistas opened up for conquest is never far away. Editor: Do you think it’s working, emotionally? For me, I’m drawn in— it asks me to consider how humans can appreciate wildness and find themselves insignificant or meaningful simultaneously. I even imagine what it feels like to breathe the spray from those falls. What do you make of it? Curator: I think there is a compelling sense of awe created here, though perhaps a sense of exploitation as well, I can still feel that rush toward expansion even today. It captures something true about how we, as a culture, grapple with landscape. Editor: Right, which might just be another reminder that the landscape will remain, and all we can hope is we are there to appreciate it!

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