Platter 18th century

Curator: So, we’re looking at an 18th-century pewter platter currently housed in the Metropolitan Museum of Art in New York. The artist is unknown, and it’s a wonderful example of Baroque decorative art. Editor: Pewter, huh? It gives off such a muted vibe, almost whispering tales of the past instead of shouting them. I imagine this sitting on a table laden with far too much food. What a scene, right? Curator: Precisely! Pewter ware became increasingly common in the 18th century, marking a shift in dining culture as the middle class expanded and sought to emulate the aesthetics of the aristocracy. A piece like this platter subtly challenges traditional markers of status. Who has access, and who can now purchase pewter? These are important factors in considering consumption and class in the period. Editor: It makes you wonder who owned this specific plate. I am also looking at the detailed engravings. It has a certain folk art charm – simple and lovely floral designs surrounding a central, almost sun-like motif. Is there anything of a heraldic crest at the top too? I am drawn to them both in the composition, one small, and the larger one radiating out to meet us. Curator: Yes, you spotted it correctly; these platters were often personalized. The central element of repeating flowers adds depth and dynamism to a static object, challenging patriarchal narratives regarding design in utilitarian objects of this period. They disrupt any straightforward categorization by gender in a historical sense. Editor: Very nice! Its history makes you appreciate the patina it's acquired over the centuries. It is the color of a cloudy sky that reminds me of melancholy beauty. I see that history and utility converge beautifully on this platter. It would be fascinating to imagine how many meals it was once at the center of. Curator: Right. This unassuming platter becomes a lens through which to view shifts in social structures and the ongoing negotiation of wealth and privilege in the 18th century and to see that conversation continue still in the present. Editor: Who knew so much story could come off just one simple platter? Incredible, I love looking at art in this way.