Portret van een man bij een bureau by Charles Thomas Newcombe

Portret van een man bij een bureau 1855 - 1880

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daguerreotype, photography

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portrait

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aged paper

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16_19th-century

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daguerreotype

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archive photography

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photography

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historical photography

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19th century

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genre-painting

Dimensions height 86 mm, width 52 mm

Curator: Well, this portrait just exudes Victorian seriousness, doesn't it? The stern-looking gentleman is posed at his desk. This particular daguerreotype is titled "Portret van een man bij een bureau," placing its creation somewhere between 1855 and 1880, placing him smack in the middle of a fascinating historical period. Editor: I get a sense of quiet introspection here. It’s remarkable how a simple pose—seated, slightly turned to face the viewer, next to the desk—manages to communicate such gravitas. The sepia tones just amplify the solemn mood. It’s like looking at a tangible piece of time, all stillness and contemplation. Curator: Exactly! And consider the accoutrements – the dark suit, meticulously groomed beard. It projects an aura of stability, responsibility, a pillar of his community, I imagine. All standard symbolism for the time, but I see it as less trite and more poignant considering photography’s relative novelty. He wants to be seen as substantial. Editor: True, though that seriousness might also point to the limitations of the daguerreotype. Long exposure times meant stiff poses, discouraging genuine smiles or even casual expressions. It really adds layers to how we interpret the symbolism of that era's self-presentation. It also strikes me that the desk itself, positioned so prominently, serves almost as a plinth for him. Curator: Interesting take. The desk could symbolize labor, learning, even the building blocks of his social standing. But he’s turned away from it, perhaps momentarily pausing from his duties to immortalize himself. Editor: And there’s something beautifully ironic about that interruption, isn't there? Time, ever marching. You’re right; the photo offers immortality, but it's laced with that moment of pause. He’s present and already past. Well, at least for the daguerreotype! Curator: He reminds me, in a way, of the ghosts we all become, cataloged in albums and now pixels, trying to convey something of substance before slipping into the background of history. Editor: It's an evocative reminder of the ephemeral nature of identity. Even frozen in silver, he hints at an existence extending far beyond that single, silent click.

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