Dootje, Johannes en Wilhelmina van Zijll de Jong op een boomstam by Anonymous

Dootje, Johannes en Wilhelmina van Zijll de Jong op een boomstam 1930 - 1935

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photography, gelatin-silver-print

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portrait

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landscape

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photography

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forest

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gelatin-silver-print

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genre-painting

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realism

Dimensions: height 59 mm, width 89 mm

Copyright: Rijks Museum: Open Domain

Curator: This gelatin silver print captures Dootje, Johannes, and Wilhelmina van Zijll de Jong perched on a log sometime between 1930 and 1935. It's a sweet family scene set in a leafy forest. What do you think of it at first glance? Editor: The quiet stillness of the picture almost pulls you in. There’s an intimate quality despite the subjects' restrained poses, as though we’ve stumbled upon a stolen moment of private life between the wars. The forest provides a theatrical, but dark and looming, backdrop. Curator: Yes, that restrained quality speaks volumes, doesn’t it? It almost feels posed but slightly awkward. The cigarettes break the pose. What do you suppose it says about the construction of gender and bourgeois performance at this historical moment? Editor: Definitely. Considering photography's function during that period, we might understand the subjects performing middle-class respectability. I can imagine this photograph existing in the context of others in a family album documenting holidays or key moments to craft identity. I’m drawn to the casual smoking that acts as a signifier, maybe a disruption, but not topple. Curator: I'm just captivated by the log itself! It’s such a simple prop, yet it becomes the stage upon which these roles are acted out. They are stranded between modernity and tradition, you might say. Editor: Precisely, it highlights this transition so eloquently! Also, think about what this work contributes to how we view social norms in a broader sense. Smoking as a performative act of social rebellion, but within limits. It offers some interesting paradoxes when studying women and smoking or even men smoking next to women! Curator: It's fascinating how a simple family portrait can hold such layers. One thinks about what isn’t seen and remains implicit in this seemingly normal arrangement! Editor: Ultimately, I'm left wondering what this work and how these captured people fit into a much broader tapestry that includes many social elements and their complex historical interweaving. Curator: I concur. I appreciate the tender snapshot of that log; even ordinary, quiet snapshots such as this open doors to so many compelling and complex thoughts!

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