Virgin Mary Handing Scapular to Saint Simon Stock by Paolo Veronese

Virgin Mary Handing Scapular to Saint Simon Stock c. 1600 - 1700

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drawing, paper, ink

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drawing

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baroque

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figuration

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paper

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ink

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history-painting

Dimensions 344 × 250 mm

Curator: Here we have a piece titled "Virgin Mary Handing Scapular to Saint Simon Stock," attributed to Paolo Veronese, created sometime between 1600 and 1700. Editor: My first impression is one of delicate grace. The monochrome palette really emphasizes the draftsmanship and lends a dreamlike quality to the scene. Curator: Precisely. This drawing, executed in ink on paper, depicts a key moment in Carmelite history. Saint Simon Stock, according to tradition, received the scapular, a symbol of protection, from the Virgin Mary herself. Editor: It’s fascinating how the composition leads your eye. The Virgin Mary is enthroned, central and high, yet the active exchange is lower, with Saint Simon reaching upwards. It's a subtle yet effective way to demonstrate hierarchy. And the lamb juxtaposed with the lion–what do you make of that? Curator: That contrast speaks volumes. The lion often represents strength and royalty, while the lamb signifies innocence and sacrifice, both crucial to the religious narrative here. Think about the social climate; this would have been a visual reaffirmation of the church's power and spiritual guidance during a period of immense social upheaval. The work serves not just as devotion but as a visual claim. Editor: Visually, it's incredibly rich. Look at the drapery! The way Veronese uses hatching and cross-hatching to model the forms is masterful. The texture of the clouds alone… Curator: Absolutely. Consider that Veronese and his contemporaries were deeply involved in shaping the visual identity of their time, reflecting the power dynamics and spiritual concerns of the era. These aren't simply aesthetic choices. They are arguments. Editor: True, it prompts consideration beyond the beautiful lines. Thinking about this work’s social function has really reshaped how I perceive its aesthetic impact. It’s a reminder to look deeper, even beyond what is visibly there. Curator: A fine intersection where devotion meets art history, I think.

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