Aanspreker 1803

Editor: Here we have Ludwig Gottlieb Portman's "Aanspreker," made with watercolor in 1803. It's currently held at the Rijksmuseum. I find it almost comical – there's such a staged feel to the grief. What do you make of this scene? Curator: Staged is a wonderful word for it! It’s a slice of life viewed through a very particular lens, isn't it? The 'aanspreker,' or death messenger, strikes a theatrical pose delivering the news. It’s romantic, yes, but not in the swooning-lovers sense. This is Romanticism observing social mores, with maybe a wink of satire. Do you see how the crisp lines and muted colours almost feel like a play set? Editor: Yes! It's almost like they're acting for the audience, but there’s also this sense of distance because it’s a watercolor, making it feel delicate and removed. Curator: Precisely. And look at the woman. Her stance, her headwear… It's a controlled reaction, a performance expected of her. What do you make of the architectural elements in the background? Editor: It feels pretty standard, right? Nothing to suggest grandeur. The messenger even seems out of place delivering grave news in an ordinary environment. The humour definitely lies in that contrast. Curator: Exactly! Perhaps Portman is inviting us to reflect on how death, even in its most formal announcement, touches the everyday. Almost a reflection on how the grand narratives touch down in the quotidian, don’t you think? Editor: Definitely something to ponder. Thanks! I'll never look at watercolors quite the same way! Curator: The pleasure was all mine! Never be afraid to laugh at what is supposedly serious!