Verkoper van snoep by Anonymous

Verkoper van snoep before 1900

0:00
0:00

Dimensions height 166 mm, width 230 mm

Curator: Here we see an intriguing mixed-media print dating from before 1900, titled "Verkoper van snoep." It is the work of an anonymous artist. Editor: My first thought is, this has a slightly melancholic feel despite the title, doesn’t it? The sepia tones and the figures…there’s a certain formality. Curator: It’s an albumen print, and one thing that really strikes me is the integration of photography with ukiyo-e aesthetics, commonly done to mass-produce images cheaply for exportation. The layering of media to create this piece would have been a calculated choice related to marketability and artistic practice, using photographs to simulate what they might've produced using traditional techniques. Editor: You’re right. Notice the emphasis on vertical lines—the rods, the stacking of the boxes; even the characters are depicted in a sort of rising arrangement. This directs the eye upward and perhaps subtly reflects upward mobility and rising mercantile economy? Plus the repetition of similar figures calls attention to the common laborer. Curator: The print exemplifies orientalism, a Western artistic trope used for decades to frame a simplified view of Eastern society and sell it back as the exotic Other. Consider too the material properties of the print itself—the smooth, treated paper contrasts with the photographic texture, creating a multi-sensory engagement reflecting this tension of perceived cultures. Editor: Beyond that, there are possible visual cues: sweets or medicines carefully arrayed in repeated form to give comfort in the form of familiarity in foreign lands perhaps, as this falls under "genre painting". It creates an accessible vignette. What thoughts would one have encountering such a person while abroad? Curator: Ultimately, it gives insight into cultural and economic exchange between East and West, questioning the perception and commodification of cultural heritage. Editor: Indeed. The imagery, coupled with your focus on its production values and history gives us a nuanced appreciation for a world changing due to cross-cultural connection.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.