Crucifix c. 1913

Editor: This is Eric Gill's stone relief carving, "Crucifix," housed in the Tate collection. It feels incredibly raw and modern. What symbolic readings emerge for you? Curator: Gill was deeply interested in the power of form. Note how the simplified lines evoke a sense of both suffering and transcendence. How does this contrast with more traditional depictions of the crucifixion? Editor: It feels less about the graphic suffering and more about the spiritual release, maybe? Curator: Precisely. Gill uses the image of the cross, an instantly recognizable symbol, to prompt a deeper reflection on faith, sacrifice, and the enduring human spirit. The stone itself adds a layer of permanence and solemnity, don't you think? Editor: I see it now; the material really elevates the message. Thanks. Curator: My pleasure.