Curator: The Harvard Art Museums present an X-radiograph of "The Death of Leonardo," after Jean-Auguste-Dominique Ingres. Editor: It’s ghostly! The weave of the canvas becomes the image itself, with only faint suggestions of the painting beneath. Curator: Absolutely. It’s a fascinating peek behind the curtain, isn't it? We often forget the material support of painting, the literal canvas that holds the image. Editor: It makes me think about the craft involved, the preparation of the canvas, the labor that goes into creating the surface before a single brushstroke. Curator: And Ingres's legacy as a master is also interrogated here. The X-ray unveils a new perspective, raising questions about his artistic choices and the cultural significance we attach to his work. Editor: Yes! It reminds us that even the most revered artworks are fundamentally objects, the result of specific processes and materials. I find it oddly beautiful. Curator: Precisely, and it challenges us to consider art beyond the surface image and contemplate the layers of meaning embedded within.