Walnoot, hazelnoten, druiven en bramen by Anton Weiss

Walnoot, hazelnoten, druiven en bramen 1820 - 1833

drawing, pencil

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drawing

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pencil sketch

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fruit

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romanticism

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pencil

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realism

Anton Weiss made this lithograph of walnuts, hazelnuts, grapes, and blackberries sometime between 1801 and 1851. Lithography is a printmaking process that relies on the chemical repulsion of oil and water. The artist would have started by drawing their composition with a greasy crayon onto a flat stone. The stone would then be treated with a mixture of gum arabic and acid, etching the areas not protected by the crayon. When the stone is wet, these etched areas retain water while repelling ink, allowing the greasy ink to adhere only to the drawn areas. The magic of lithography lies in its ability to reproduce the nuances of a drawing. Weiss masterfully uses this to create a sense of volume and texture in the fruits, from the smooth skin of the grapes to the rough shell of the walnut. The process, enabling the mass production of images, democratized art. It offered a wider audience the opportunity to own and appreciate visual works, blurring the lines between high art and everyday imagery.

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