A Short History of General Edmund Kirby Smith, from the Histories of Generals series of booklets (N78) for Duke brand cigarettes 1888
drawing, coloured-pencil, print
portrait
drawing
coloured-pencil
coloured pencil
Editor: This small print, "A Short History of General Edmund Kirby Smith," from 1888, was produced by W. Duke, Sons & Co. using colored pencils. The portrait is… intriguing. It's so formally presented, almost like a holy card, but also an advertisement. What strikes you most about this image? Curator: I see an image steeped in the visual language of power and memory. The meticulous detail, particularly in the beard, suggests not just the man, but an archetype. What symbols of authority do you observe, and what cultural memory are they intended to invoke? Editor: Well, the uniform, definitely. The buttons, the cut of the coat. But the glasses make him seem…academic. Less of a firebrand. Is that tension intentional, do you think? Curator: Consider the context. It’s post-Reconstruction. Images of Confederate figures served a vital role in shaping Southern identity. The glasses humanize him, perhaps, but the carefully rendered beard, the severe gaze—they build the image of a learned, respectable leader, justifying the Lost Cause through visual rhetoric. What message is subtly encoded about leadership and honor, and what is conspicuously absent? Editor: That's a really interesting point about justification. So, even in something as simple as a cigarette card, there’s this deliberate construction of a heroic narrative? Curator: Exactly! These seemingly trivial images carried immense cultural weight. They are artifacts of how the past is selectively remembered and visually perpetuated. Does knowing this make you reconsider the initial “holy card” impression you had? Editor: Definitely. I was seeing a straightforward portrait, but it's so much more loaded than that. It's about actively shaping historical memory. Thanks, I see it very differently now. Curator: And that understanding helps us decipher not only the past but also how we continue to build symbolic representations of history today.
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