Stoneware Ink Bottle or Catsup Bottle by Richard Barnett

Stoneware Ink Bottle or Catsup Bottle c. 1938

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ceramic, watercolor

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ceramic

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charcoal drawing

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watercolor

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stoneware

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ceramic

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watercolor

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realism

Dimensions overall: 30.5 x 22.9 cm (12 x 9 in.) Original IAD Object: 81/4" High 3" Wide

Curator: Before us we have Richard Barnett's "Stoneware Ink Bottle or Catsup Bottle" dating from around 1938. It's rendered in watercolor and charcoal drawing on paper. Editor: It feels immediately utilitarian, almost melancholic. The muted tones and that stark crack suggest a discarded object, a humble piece of history. Curator: Right. It's interesting how Barnett chose to depict something so mundane. Stoneware bottles like these were mass-produced, functional objects. What does it mean to elevate such a common item to the realm of art? Was he interested in examining consumerism through art? Editor: It prompts a deeper look at the craftsmanship and labor involved. The stoneware itself, how it’s sourced, formed, fired – those details speak to a specific kind of working-class history and skill. Plus, notice the way the watercolor captures the subtle variations in texture and the weight of the clay. It goes beyond simple representation. Curator: I'd agree. And considering the social context, think of the time – the late 1930s, during the Depression era. Everyday objects take on new significance when resources are scarce. The painting itself might reflect upon frugality. It seems like a sign of things being harder to come by than when times were easier. Editor: I am not sure of this being entirely related with hard times; I think the choice of the medium adds layers too. Watercolor and charcoal were accessible and affordable. It implies Barnett had an awareness of resourcefulness. This is a picture created in very peculiar conditions. Curator: That is a very sensible opinion indeed. In fact, let's just add that the realism evident throughout Barnett's output further anchors the piece in that social and material reality. I see an element of truth that feels relatable beyond being "just" art. Editor: Well said, this artwork makes one reflect on its origins and its current presence here at this museum. Its transformation is a mirror to ours too. Curator: Yes, precisely. Looking closely at this bottle forces one to consider bigger, bolder societal considerations that might often get ignored. Thank you.

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