Tuinpaviljoen Possibly 1907

Yamamoto Shoun created this print, Tuinpaviljoen, using woodblock printing techniques. Woodblock printing, or *ukiyo-e*, isn't just about the final image; it's deeply rooted in the labor-intensive process. Each color in the print required a separate block, meticulously carved by skilled artisans. These blocks, typically made of cherry wood, demanded precision to capture the delicate lines and subtle gradations of tone. The process began with the artist's design, which was then transferred to the woodblock by specialist block cutters. The printer then applied ink to the block and transferred the image to paper through careful hand pressing. Consider the sheer amount of labor involved in producing prints like these, labor that is often overlooked when we appreciate the final artwork. It speaks to the collaborative nature of the *ukiyo-e* tradition, bridging the gap between art, craft, and the socio-economic realities of its time. By understanding the modes of production, we gain a deeper appreciation for the artistry and cultural significance embedded within this print.