photography, gelatin-silver-print
print photography
film photography
black and white photography
landscape
archive photography
street-photography
photography
gelatin-silver-print
monochrome photography
realism
Dimensions height 50.5 cm, width 40.6 cm, height 40.0 cm, width 28.3 cm
Curator: It has a stark and somewhat ghostly presence, doesn’t it? A fleeting moment, like a memory fading at the edges. Editor: Indeed. This is a gelatin silver print by George Hendrik Breitner, titled *Bezoekers op een paardenmarkt*, placing us somewhere between 1890 and 1910. It captures a crowd around horses. Curator: That bleached, almost ethereal quality lends an air of transience to what was surely a bustling scene. I notice how light is concentrated at the image's heart as it pours into a stable doorway or alleyway, as if onto a stage. What impact do you think the era had on street photography like this? Editor: Breitner worked in a period of immense social change, of expanding urban centres and grappling with social realism as an artistic and political ideology. In the case of the late 19th-century Amsterdam that Breitner captured, one can suggest a connection to a desire to show everyday realities of an evolving and often marginalized urban community through the advent of more affordable photography, but without a focus on artifice or dramatic spectacle. Curator: The central focus is the presence of this nearly blank, almost imposing white horse, radiating energy despite the somber tone of the composition overall. It seems more apparition than beast, wouldn't you agree? Editor: The use of silver gelatin does produce that contrast quite vividly. Breitner worked within the milieu of the Amsterdam Impressionists and sought to portray daily life of its urban populace, and his photographs also highlight what has changed, hasn't it? Street photography captured key sites in urban memory. Here, this print invokes feelings around a historical moment and invites one to compare the reality and modern conceptions of street life. The horses become symbols, beyond their physicality. Curator: It's a powerful, symbolic image. This photograph leaves the viewer with this question – is the horse simply a subject of the photograph or is it something much grander and sublime, an essence of freedom and energy? Editor: Ultimately, "Bezoekers op een paardenmarkt" showcases the ways that photographic technologies can reshape what it means to bear witness in society.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.