Cover for Myōjō 

This cover for Myōjō, likely created in the early 20th century by Fujishima Takeji, is a product of printmaking. You can see that in the stark contrast between black and white, a result of the block printing process. Now, what makes this image interesting is the way in which the material qualities of printmaking affect its appearance. The hard edges and flat surfaces lend themselves to a stylized aesthetic, a common feature of printed material. The bold lines and graphic patterns are not merely decorative; they are intrinsic to the method of production. The printmaking process is also vital to consider in terms of social context. Printmaking has always been about the democratization of images, even though this magazine was intended for a sophisticated readership. By understanding the means of production, we gain insight into its cultural significance, challenging traditional distinctions between fine art and craft.