Scène uit de komedie Eunuchus van Terentius 1716 - 1718

Bernard Picart created this line drawing, "Scene from the comedy Eunuchus by Terentius," sometime before 1733. At first glance, the composition appears as a stage set, divided into distinct planes. Picart's choice of line is particularly noteworthy. Thin, precise lines define the figures and architectural details, yet they do so without fully enclosing them. This creates a sense of openness, as if the scene could extend beyond the frame. The use of hatching and cross-hatching adds depth and shading, but sparingly, maintaining the lightness of the image. The figures are rendered with a classical sensibility, their drapery reminiscent of ancient statuary. Yet, there is also a hint of theatricality in their gestures, which destabilizes the boundary between the real and the performed. The background buildings, drawn with the same delicate lines, recede into the distance, anchored by the strong vertical of a distant spire. The overall effect is one of careful balance, where each element contributes to a sense of harmony and order. This is a harmony, however, that invites us to consider the artifice inherent in its construction.