Macht van de waarheid before 1579

Curator: The Rijksmuseum is home to this engraving, "Macht van de waarheid," or "The Power of Truth," created before 1579 by Wierix. It's an intricate example of mannerist printmaking. Editor: The detail is striking; the figures seem to burst from the composition! There's an almost uncomfortable density to the image. And that central female figure dominating the scene—very arresting. Curator: Absolutely. She is allegorical Truth, standing draped but unveiled. One hand holds the scales of justice, counterbalanced by a radiant open book, and the light of divine knowledge dispels the darkness. Editor: That darkness seems significant, judging by the writhing figures consumed by fire on the left. What exactly is being "weighed" or judged? Is this religious, political, or both? Curator: In this context, it represents the triumph of true virtue over vice and earthly corruption. The print is rich with symbolism. Note the globe beneath her feet containing biblical references: those that fall outside the truth face downfall. Editor: So, Truth as the ultimate arbiter. But consider the historical backdrop—the late 16th century, a time of religious wars and political upheaval. To present "truth" in such an absolute, unwavering form… it feels almost like a form of propaganda. Who decides what’s truth in a society as fragmented as theirs? Curator: It speaks to the belief, quite characteristic of the era, in objective, divinely sanctioned Truth. The light emanating from her and the open book symbolize ultimate enlightenment, offering not just a concept but a visual metaphor for faith and understanding in a period of widespread disruption. It provides clarity in troubled times. Editor: I wonder if its power partly relies on silencing those other "truths," other experiences, those burning in the darkness, those absent voices unable to depict their counter-narrative. Curator: It prompts contemplation on how power dynamics influence knowledge and what we perceive to be true and enduring over time. Editor: Indeed. It underscores the ever-present negotiation between competing realities. Curator: This complex and fascinating print will linger long in my thoughts.