Mackerel on a Plate by  William Scott

Mackerel on a Plate 1951 - 1952

0:00
0:00

Dimensions: support: 559 x 762 mm frame: 752 x 960 x 100 mm

Copyright: © The estate of William Scott | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This is "Mackerel on a Plate" by William Scott. The simple composition of the fish against that stark background really draws me in. What do you see in this piece? Curator: The composition demonstrates a reduction to essential forms. The interplay of light and shadow is crucial. Note how the artist uses a limited palette to emphasize shape and texture. Editor: So, the dark background isn't just background, but a way to highlight form? Curator: Precisely. Consider also the materiality: the visible brushstrokes, the layering of paint. How does that contribute to your understanding? Editor: I guess it emphasizes the physical act of painting, not just representation. Thanks, that's really helpful. Curator: Indeed. It underscores the constructed nature of the image itself.

Show more

Comments

tate's Profile Picture
tate 10 months ago

http://www.tate.org.uk/art/artworks/scott-mackerel-on-a-plate-n06245

Join the conversation

Join millions of artists and users on Artera today and experience the ultimate creative platform.

tate's Profile Picture
tate 10 months ago

Describing his paintings, Scott said 'I find beauty in plainness, in a conception which is precise, a simple idea which to the observer must inevitably shock and leave a concrete image on the mind.' He became interested in painting realist still-lifes in the 1930s, often portraying the kitchen implements that he kept around his studio. He considered his work to be influenced by the French still-life tradition, particularly the eighteenth-century artist Chardin. As he developed, the objects became flatter and later in the 1950s became abstract shapes. Gallery label, August 2004