Stadsgezicht bij nevelachtig weer by Simon Moulijn

Stadsgezicht bij nevelachtig weer 1886

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print, etching

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print

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impressionism

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etching

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pencil sketch

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landscape

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cityscape

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realism

Dimensions height 200 mm, width 270 mm

Editor: So this is Simon Moulijn's "Cityscape in Foggy Weather," an etching from 1886 currently at the Rijksmuseum. It's mostly muted tones, and honestly feels quite melancholic. What catches your eye when you look at it? Curator: It's more than just melancholic; it speaks volumes about the socio-economic conditions of the time. Look at the figures—their attire, their posture. They’re positioned within a landscape dominated by industrial architecture fading into obscurity, literally and figuratively blurred by the fog. What does that erasure suggest to you? Editor: Maybe a commentary on the working class being overlooked or unseen? I'm curious, does the fog, stylistically reminiscent of Impressionism, have symbolic meaning? Curator: Absolutely. Beyond Impressionism's aesthetic interest in capturing fleeting moments, fog here functions as a visual metaphor. It obscures, concealing the realities of urban life for the privileged while simultaneously creating an isolating environment for the working class. This piece makes me wonder how the rapidly changing industrial landscape impacted social interactions and individual identity. Do you think this etching could be a commentary on class disparities during industrialization? Editor: It does seem like the fog almost traps the figures. Thinking about the scale of industry bearing down on them highlights the disparity of experience. It definitely puts the work into perspective to see the context like that. Curator: Exactly! Understanding the socio-political conditions invites us to interpret this artwork beyond just its aesthetic qualities. What could the inclusion of laborers suggest about Moulijn's political leaning? Editor: Maybe a subtle advocacy for the working class, showing their existence in a period where industrial advancement overshadowed individual struggles. Thanks; I now view this work with so much more depth! Curator: And it is through such investigations, situating art within its socio-historical context, that we can foster a more nuanced understanding of the art and of ourselves.

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