River Wye (Liber Studiorum, part X, plate 48) by Joseph Mallord William Turner

River Wye (Liber Studiorum, part X, plate 48) 1812

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drawing, print, etching

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drawing

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16_19th-century

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print

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etching

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landscape

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river

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romanticism

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19th century

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men

Dimensions plate: 7 1/4 x 10 9/16 in. (18.4 x 26.8 cm) sheet: 8 3/8 x 11 1/2 in. (21.3 x 29.2 cm)

This is "River Wye," a print by J.M.W. Turner, part of his "Liber Studiorum" series. The scene is dominated by soft, sepia tones, creating a muted yet atmospheric experience. The composition is carefully structured, with the river flowing diagonally into the distance, drawing the eye towards the ruins atop the hill. Turner employs aquatint to achieve subtle gradations of tone, building depth and texture. The interplay of light and shadow across the water's surface and the foliage suggests a transient moment, capturing the sublime beauty of the natural world. The figures and livestock in the foreground add a pastoral element, grounding the scene in the everyday. The "Liber Studiorum" was Turner's attempt to codify landscape painting into categories, akin to a dictionary of visual forms. This print exemplifies his fusion of classical composition with Romantic sensibilities, challenging the traditional hierarchies of artistic genres. The ruin may symbolize the transience of human achievement against the enduring power of nature.

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