Portret van Charles-Nicolas-Sigisbert Sonnini de Manoncourt 1775 - 1834

Konrad Westermayr created this portrait of Charles-Nicolas-Sigisbert Sonnini de Manoncourt using pen and gray ink with brush on paper. The composition immediately draws us into a study of form. The oval portrait is neatly positioned in the middle of the composition, and it has a clear structure. The artist makes very controlled use of monochrome. The delicate gradations of gray ink capture the essence of the subject and the textures of his clothing. The texture of the paper adds a layer of depth and interest. Westermayr masterfully uses the interplay of light and shadow to sculpt Sonnini's features. The sharp lines of his coat contrast with the softness of his face, creating a dynamic tension. Sonnini's gaze is direct and engaging. This structured arrangement isn't just representational; it embodies a deep engagement with the philosophical ideas about order and representation of the Enlightenment. The portrait doesn't just capture a likeness; it’s a study in structure.