Virgin and Child by Lucas van Leyden

Virgin and Child c. 1530

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oil-paint

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portrait

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oil-paint

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figuration

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oil painting

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italian-renaissance

Dimensions support height 34.5 cm, support width 27.5 cm

Curator: Lucas van Leyden's “Virgin and Child,” dating from around 1530. The work is currently held at the Rijksmuseum and is crafted in oil paint. The painting immediately strikes me with the material opulence Van Leyden achieves. Editor: The mood is quite melancholic, I think. Even devotional paintings had to function within and reflect the real material and cultural conditions of 16th-century life. Mary’s downcast gaze certainly evokes a pensive quality. Curator: Indeed. And, considering Van Leyden’s broader body of work in printmaking, particularly engravings, the oil medium presents a different realm of possibilities in the deployment of color and the textures created here. The subtle shifts of light across her garments…remarkable. Editor: Beyond the aesthetics, how does this depiction play into prevailing power structures and ideologies of its time? Mary as a young mother was part of complex discussions on domesticity, female agency and what exactly was acceptable female influence, even a divine influence, within patriarchy. Curator: That resonates when one considers how oil paintings circulated. Did such objects primarily engage with elite viewers, wealthy merchant class perhaps, for domestic religious engagement and reflection? The conditions of its consumption certainly shapes its meaning. Editor: I agree completely. I would also ask, what roles were available for women, and what role does motherhood play here as the divine route to prestige, given societal norms? She embodies a certain accepted archetype, and her visual depiction, like most art then and now, reflects and reinforces gender and class hierarchies. Curator: Seeing the layers of the making is captivating. I wonder about workshop collaborations, preparatory sketches... Editor: Such things matter a great deal to art historians who emphasize understanding power! How it works and how we can identify it at play, even today, shapes interpretations. Curator: Precisely. It allows a holistic engagement. It all connects. Thank you, a great start, seeing how this can become such an enriching listen! Editor: The artwork opens to various readings with multiple layers, which make art such a compelling reflection of not just individual ideas but societal struggles!

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Comments

rijksmuseum's Profile Picture
rijksmuseum over 1 year ago

Towards the end of his career Lucas painted a few pictures of the Virgin and Child, including this one. The placement of the mother and child close to the picture plane lends the scene intimacy, which is further heightened by her tender caress. To create a personal bond with the viewer, Mary and Jesus gaze at us with striking directness.

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