Pen tray (part of a set) 1851

Editor: Here we have an 1851 bronze pen tray, designed by Asprey. Its delicate, flowing lines and accents of green malachite give it a certain… opulence. What jumps out at you about it? Curator: Immediately, the bilateral symmetry captivates. Each half mirrors the other, divided by that striking central malachite element. Observe the relationship between the bronze and the inlaid stones. Editor: They do create a beautiful contrast in color and texture. But is it just about visual harmony? Curator: Note how the swirling, organic bronze forms are carefully juxtaposed with the geometrical exactness of the stone inlays. This dynamic, present throughout, points to a fascination with structure and the relationship between the material properties, how would you relate this to Arts and Crafts ideals? Editor: I see your point. The craftsmanship is so deliberate, focusing on both function and form, and elevating what would normally be considered a mundane object. But is there a kind of symbolism there? Curator: Let us delve deeper into that suggestion. We see a dialogue between hard lines and curvilinear elements, how might one interpret these dichotomies within the structure of the object itself, considering its formal qualities, not necessarily any presumed intentions or historical narrative. What could that say? Editor: So, maybe it's about finding balance? The balance between industrial and artisanal aesthetics? Curator: Precisely. The eye is drawn to each individual detail: the malachite contrasting with bronze work. Editor: It’s like each component elevates the other. Thinking about the semiotic relationship, I am beginning to notice how different components come together to form a narrative within this piece. Thanks, I’m definitely looking at it with fresh eyes now! Curator: A pleasure, you too have provided great observation skills that complement my perspective.