Molenaar, dichte deur c. 1910 - 1911

Editor: This drawing, "Molenaar, dichte deur," or "Miller, closed door" by Willem Witsen, was made around 1910-1911 using pencil and charcoal. I'm struck by how realistic and gritty it feels, capturing the mundane labor within the mill. What stands out to you? Curator: What I find interesting is how this seemingly simple genre scene reflects broader social shifts at the turn of the century. Witsen, coming from a wealthy family, often depicted working-class life with a sense of realism, almost as a social document. Consider how industrialization was impacting rural life and traditional labor. Do you think there's a romanticization or critique present in the work? Editor: That's a great point. I initially just saw a straightforward depiction, but now I'm wondering if there's more to it. The composition is very focused on the worker and the tools. I wonder if the ‘closed door’ suggests a sort of isolation or a world that’s shutting down. Curator: Exactly! The "closed door" might symbolize the dwindling traditional trades amidst modernization. Also, Witsen's choice of media - pencil and charcoal - contributes to this atmosphere. Charcoal, in particular, lends itself to depicting shadows and a somewhat somber mood, subtly hinting at the decline of this way of life. How might the lack of vibrant color influence our understanding? Editor: The monochrome definitely adds to that feeling. It almost feels like looking back at a faded photograph of the past, which amplifies the sense of disappearing tradition that you mentioned. I wouldn't have considered it in that light if you hadn't pointed that out. Curator: And it is crucial to view art within its time. It speaks to the era’s anxieties surrounding labor, social class and impending modernity, giving it a historical weight beyond its visual simplicity. Editor: That adds so much depth to my understanding! Now I see the drawing not just as a portrayal of work but as a commentary on a changing world. Thank you for sharing that.