Rom, Lateran und SS. Quattro Coronati 

Ernst Fries' pencil drawing captures a panoramic view of Rome, including the Lateran Basilica and the SS. Quattro Coronati complex. Made in the early 19th century, this work offers insight into the cultural fascination with Rome as both a historical site and a center of religious power. The sketch emphasizes the city's architectural landmarks, connecting them to the broader landscape and inviting contemplation on the relationship between urban space and nature. During this period, the Papal States wielded considerable influence, and Rome served as a focal point for religious and political affairs. Fries, as a German artist, likely encountered Rome through the lens of the Grand Tour, a tradition where artists studied classical art. Understanding this work requires considering the historical context of Rome as a site of pilgrimage and artistic inspiration. Art historians rely on sources like travel journals, architectural surveys, and social histories to better contextualize drawings like this. By examining the institutions and cultural values of the time, we gain a richer understanding of Fries' artistic choices and the meanings they convey.