W.G. George, Runner, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes by Allen & Ginter

W.G. George, Runner, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes 1888

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drawing, print

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portrait

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drawing

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print

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impressionism

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caricature

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genre-painting

Dimensions Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm)

Curator: This is "W.G. George, Runner," a baseball card, really, from the Allen & Ginter "World's Champions, Series 2," created in 1888. They were included in cigarette packs. Editor: What immediately strikes me is the almost unsettling smoothness. There's a rosy, almost porcelain-doll quality that clashes with the implied athleticism. It's as though the idea of speed is being sold here more than an actual athlete is being portrayed. Curator: Precisely. Cigarette companies often exoticized figures. The late 19th century had an intense investment in the male athlete—in the cult of masculinity itself—so framing this runner becomes important. To a largely sedentary audience perhaps. Note how it distills ideals of the strong and hyper-productive individual so valued in a rapidly industrializing era. Editor: Indeed. Consider also the symbolism embedded in that stopwatch time printed at the bottom: 4 minutes, 12 and ¾ seconds for a mile. That record becomes a mantra for an age obsessed with quantifiable progress, linking athleticism to the era's drive for maximum output. The printing technology mimics impressionistic touches, softening George, yet the precision is also boldly stated. Curator: These cards served to both celebrate and perhaps indirectly enforce standards within Victorian society. Depicting George in this somewhat idealized form helped build the mythology around sport, even to reinforce an expectation of self-discipline and achievement—particularly for men. Who is this individual, and how did that inform the message, even now? Editor: We should consider who made them too, this Allen and Ginter group... that must say something of cultural representation and dissemination itself! Looking closer at the colours and this almost romantic, definitely staged version of 'reality', reveals far more than this champion's mere likeness, a glimpse into the social and symbolic codes. Curator: Absolutely, and it all begins here, this potent intersection of commerce, image, and societal values that continues to define sports culture today. Editor: Agreed, a little piece of fleeting ephemera that really holds so much!

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