Negativo-Positivo 1989

Bruno Munari’s ‘Negativo-Positivo’ uses simple geometric shapes and bold colors to explore the interplay of space. The white square, seemingly dominant, is both figure and ground, appearing as a solid form and a void carved out of the pink. Consider how the concept of positive and negative space has echoed through art history. In ancient vase painting, the negative space around figures often defines their form, an artistic dance that transcends millennia. This duality between what is seen and what is not touches upon our understanding of reality, shaped by perception and interpretation. The contrasting colors evoke a visceral response, and the flat planes of color create a sense of depth and tension. 'Negativo-Positivo’ invites us to reconsider our assumptions, and the artwork becomes a reflection of our own subconscious processes.