Silver Sugar Spoon by Anthony Zuccarello

Silver Sugar Spoon 1935 - 1942

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drawing, silver, pencil

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drawing

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silver

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pencil sketch

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coloured pencil

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pencil

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academic-art

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realism

Dimensions overall: 27.9 x 22.6 cm (11 x 8 7/8 in.) Original IAD Object: 6 3/4" long; 1 1/2" wide

Editor: So, here we have "Silver Sugar Spoon," created sometime between 1935 and 1942, likely a drawing incorporating pencil and perhaps coloured pencil on paper depicting a silver spoon. It's incredibly detailed. What strikes me is how functional objects get elevated through such careful rendering. What do you see in this piece? Curator: I see a fascinating document of production. Let's consider the drawing itself – the layering of pencil, the precision. This isn't just about representing a spoon; it's about understanding the labor involved in design and potential manufacture. What does it mean to dedicate so much time and skill to depicting a humble object of consumption? Editor: That's a good point. I hadn’t considered the act of drawing as labor in itself. Do you think this was meant as a preliminary design, a blueprint perhaps? Curator: Precisely! Think of the context: 1930s-40s, a time of both economic hardship and burgeoning consumer culture. Silverware wasn't just functional; it signified status. This drawing then becomes a crucial step in translating precious materials and skilled labor into social currency. Look at the spoon itself, the shell design – echoing natural forms but crafted from valuable metal. It embodies material aspiration. How does the act of drawing transform its inherent value? Editor: It gives it a different kind of value, highlighting craftsmanship and design alongside the intrinsic worth of the silver itself. The multiple views are intriguing, like exploded diagrams or schematics for production. Curator: Exactly. The drawing breaks down the object into components. It demystifies the final product, emphasizing the labor and process that typically go unseen. Editor: So it’s not just about the spoon as an object of desire, but the mechanics of its creation? That shifts my perspective considerably. Thanks! Curator: Indeed, by focusing on the materials, means, and labor invested, we recognize this piece as a potent commentary on production, consumption and value.

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