Goodbye, madam, see you soon, since you allow . . . c. 19th century

Editor: This is a print by Paul Gavarni called "Goodbye, madam, see you soon, since you allow . . .". I'm struck by the sharp lines and how they create a sense of tension between the figures. What do you see in Gavarni's composition? Curator: The stark contrast in values draws attention immediately to the central grouping. Note the carefully orchestrated lines that delineate social hierarchies, from dress to posture. Observe the geometry of the doorway, framing the departing male figure; how does this formal device impact your understanding of the scene? Editor: It does create a separation, visually reinforcing his exit. So, the formal elements really emphasize social dynamics here. Thanks! Curator: Precisely. By analyzing these components, we gain a deeper comprehension of its inherent meaning.