Monument voor het huwelijk van Jonas Witsen met Elisabet Basseliers before 1702

This is Jan Goeree’s "Monument for the Marriage of Jonas Witsen and Elisabet Basseliers," made around 1700 using pen, brush, and gray ink. The monument dominates, rising vertically with layers of ornamentation and figures in a symmetrical arrangement. This symmetry is framed by an arched structure, where the draped fabric adds to the sense of formality. The use of monochrome enhances the classical, almost sculptural feel, emphasizing form and shadow. This drawing is not just a depiction but a symbolic construction. The careful placement of figures and decorative elements suggests a deeper narrative about marriage, status, and cultural values. The use of classical motifs within a structured, symmetrical design reflects the period's interest in order and representation. Notice how the drawing functions as a cultural artifact, where artistic and social elements intertwine to convey meaning. The monument, with its visual cues, serves as a site of ongoing interpretation and re-interpretation, reflecting the values and ideals of its time.