drawing, mixed-media, print, paper, ink
drawing
mixed-media
asian-art
paper
ink
coloured pencil
mixed medium
watercolor
Dimensions: height 270 mm, width 175 mm
Copyright: Rijks Museum: Open Domain
Curator: At first glance, these bound books seem to whisper tales of age, and yet they feel profoundly... still. Editor: Indeed. What we're viewing is titled "Geïllustreerd verslag van een reis naar het westen", an exquisite mixed-media print by Shiba Kōkan, created around 1803. Consider it a material testament to the exchange of ideas at the turn of the 19th century. Curator: I can sense that dialogue, particularly through those vibrant, muted blues adorning each spine. They appear delicate, fragile. How were they constructed? What materials did Kōkan employ? Editor: It's a symphony of materials, truly. Kōkan uses a combination of ink, watercolor and colored pencil on paper. Analyzing the prints closely, we can appreciate the craftsmanship. It's a tangible record of production, suggesting an awareness of both artistic and commercial markets. Curator: I am swept away by these books and drawn back by their physical nature. It's like peering into a collective, private world. I want to know those stories! Editor: It’s remarkable how the work plays with perceptions. Note the juxtaposition of tradition and modernity in his prints and mixed media. This speaks to the transition from traditional artisanal creation to mechanized output and a changing definition of craft during this era. The production values alone make it such a pivotal cultural object. Curator: Thinking of those blurred pigments mixing to my senses to create mood of quietude... What must it have been like to touch and hold them in the 19th Century? Did that artist have an inkling we'd still be discussing them so many centuries after? Editor: The tactile quality undoubtedly shapes our understanding, adding layers of richness. Ultimately, this creation encourages us to consider art and craft—their intermingling within different networks. It forces us to see material and social context within art production. Curator: I'll hold onto that image. I'll definitely be returning to consider its impact... perhaps through smell, the odor from antiquity. Editor: An aromatic experience awaiting!
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