The Last Judgement by Michelangelo

The Last Judgement 1541

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michelangelo's Profile Picture

michelangelo

Sistine Chapel, Vatican

painting, fresco, architecture

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portrait

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high-renaissance

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allegory

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painting

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sculpture

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holy-places

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figuration

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fresco

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christianity

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history-painting

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italian-renaissance

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architecture

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historical building

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christ

Dimensions 1370 x 1220 cm

Michelangelo created this fresco, The Last Judgement, on the altar wall of the Sistine Chapel in Vatican City. Observe the figure of Christ in the center, his raised hand a gesture of both judgment and command, reminiscent of ancient depictions of Jupiter. This motif transcends cultures, echoing in the raised hands of emperors bestowing power, and even in pagan gods asserting their dominion. The saints surrounding Christ bear the instruments of their martyrdom: Saint Bartholomew holds his flayed skin, a grim symbol of transformation and rebirth. This motif echoes the ancient concept of sacrifice, found in countless cultures, from the sacrificial rituals of the Aztecs to the crucifixion of Christ himself. As we gaze upon this scene, we are confronted with the timeless human fascination with destiny, justice, and the eternal cycle of life, death, and rebirth. These symbols resonate within our collective memory, stirring deep-seated emotions about morality, mortality, and the ultimate fate that awaits us all.

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artera's Profile Picture
artera about 1 year ago

The Last Judgment is generally regarded as one of Michelangelo Buonarroti's (1475-1564) greatest masterpieces. Inspired by Dante's Divine Comedy, the fresco was commissioned by Pope Paul III, begun in 1535, and finally revealed on October 31, 1541. Its creation required the destruction of Perugino's frescoes, which had previously adorned the altar wall of the Sistine Chapel. This work has become so iconic that it is difficult to remember that in its own time it was controversial. Not least of all the concerns regarding the image was its pervasive nudity, much of which was later covered up by Michelangelo's pupil, Daniele da Volterra, and finally uncovered again by restorers.

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